The Ukiyo-e Ota Memorial Museum of Art

When asked to name a piece of classical Japanese art, the first image that springs to mind for many people is The Great Wave off Kanazawa by Hokusai Katsushika.  This print, first published in the 1830s, is an example of the precise, colorful wood block prints, or ukiyo-e, for which Japan is justly renowned.


Picture: Ukiyo-e  (via Wikipedia)

Ukiyo-e and its related genres developed over the course of about three hundred years, from the 17th through the 19th centuries. Known for strong lines, beautiful colors, and stylized forms, the prints are one of the earliest forms of mass-produced, commercial artwork. During the form’s heyday, common subjects for compositions were sumo wrestlers, kabuki actors, and beautiful women.

By the time of the late Meiji period (around 1900), ukiyo-e had experienced a sharp decline in popularity. Eclipsed first by newer, Western influenced forms, ukiyo-e retreated into journalism, only to be replaced by the emergence of photography. It was during this same period that many original pieces (from which prints were made) were sold or gifted to Western interests.


Seizo Ota

One man, Seizo Ota found this situation unacceptable and began to collect pieces of ukiyo-e and its related forms. Active as a collector for over fifty years, Ota’s collection eventually numbered over 14,000 pieces. After his death, the Ota family opened a small museum dedicated to preserving and promoting ukiyo-e as an important part of Japan’s unique cultural heritage.


Today, the Ukiyo-e Ota Memorial Museum of Art sits on a small side street just a few minutes walk from the Omotesando exit of JR Harajuku station. Open year round, the museum specializes in themed exhibitions that inform the visitor of all aspects of ukiyo-e, from the teams of artists who produced them, to the wealthy middle class who collected them.

Entry Plaque

Often these exhibitions center around figures in ukiyo-e such as “sumo-e”, prints about sumo wrestlers and their lifestyle, or “yokai-e”, a collection of prints depicting monsters, ghosts, and devils. Other exhibitions are focussed on famous ukiyo-e artists (the museum held a special exhibition this year for the 100th anniversary of the death of Kobayashi Kyochika) and around the production and preservation of ukiyo-e prints.


The Ukiyo-e Ota Memorial Museum of Art

The museum’s website lists upcoming exhibitions well in advance, sometimes as much as a year ahead of time. Although the museum will be closed from November 24th of this year to February 1, 2016 for renovations, there is still time to see the following exhibits:

— Excellent Techniques of Carving and Printing: 250th Birth Anniversary of Multi-Colored Print (through September 27th)

— Utamaro, Eisen, Hokusai - Masterpieces from Koishikawa Ukiyo-e Musuem (October 2nd through 25th; October 30th through November 23rd)

Only one event is currently listed for after the renovation, (Katsukawa Shunsho - Master of Hokusai), but if the past is any indication, many more exhibits will soon follow.

Sign Post

Getting There

Finding the museum is easy. As noted above, take the Omotesando-guchi (Omotesando Exit) from JR Harajuku Station. Walk to the corner of Omotesando Street and head away from the park. The museum is on a small side street about a five minute walk from the corner. If you see the entrance to the Chiyoda Subway, you’ve gone too far. Once you turn on the side street, you’ll see a sign for the museum.

It only takes an hour or two to see everything the museum has on offer at any given time, but it will always be an hour or two well spent!

Finally, for anyone whose interest in ukiyo-e is leaning towards the scholarly, it is worth noting that the museum offers a grant for anyone interested in conducting original research into ukiyo-e. 2015 marks the 32nd grant offered.

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